Terence Stamp, British actor who portrayed General Zod in early Superman films, dies at 87
London-born Stamp started his film career with 1962's seafaring ‘Billy Budd,’ for which he earned Oscar and BAFTA award nominations.
PTI
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Terrence Stamp's career began in 1962 with 'Billy Budd'.
London, 18 Aug
Terence Stamp, the British actor who often played the role
of a complex villain, including that of General Zod in the early Superman
films, has died. He was 87.
His death on Sunday was disclosed in a death notice published
online, prompting a wave of tributes from and an array of fans and those close
to him within the industry, including the British Academy of Film and
Television Arts, or BAFTA.
London-born Stamp started his film career with 1962's
seafaring ‘Billy Budd,’ for which he earned Oscar and BAFTA award nominations.
His six decades in the business were peppered with
highlights, including his touching portrayal of the transsexual Bernadette in
1994's ‘The Adventure of Priscilla, Queen of the Desert,’ the second of his two
BAFTA nominations.
But it will be his portrayal of the bearded Zod in 1978's ‘Superman’
and its sequel ‘Superman II’ two years later that most people associate with
Stamp. As the Kryptonian arch enemy to Christopher Reeve's Man of Steel, Stamp
introduced a darker, charming and vulnerable — more human — element to the
franchise, one that's been replicated in countless superhero movies ever since.
Edgar Wright, who directed Stamp in his final feature film,
2021's ‘Last Night in Soho’ remembered the actor in an Instagram post as “kind,
funny, and endlessly fascinating.”
“The closer the camera moved, the more hypnotic his presence
became. In close-up, his unblinking gaze locked in so powerfully that the
effect was extraordinary. Terence was a true movie star: the camera loved him,
and he loved it right back,” Wright said.
Stamp started his acting career on stage in the late 1950s,
where he acted in repertory theatre and met Michael Caine, who was five years
older than himself. The pair lived together in a flat in central London while
looking for their big break.
He got his break with ‘Billy Budd’ and Stamp embarked on a
career that would see him in the early 1960s be part of the ‘angry young men’
movement that was introducing an element of social realism into British
moviemaking.
That was perhaps most notable in the 1965 adaptation of John
Fowles' creepy debut novel ‘The Collector,’ where he played the awkward and
lonely Freddie Clegg, who kidnapped Samantha Eggar's Miranda Grey in a warped
attempt to win her love. It was a performance that would earn the young Stamp,
fresh off his Oscar nomination, the best actor award at that year's Cannes Film
Festival.
While part of that 1960s British movement, Stamp learned
from some of the most seasoned actors from the classical era, including
Laurence Olivier.
“I worked with Olivier briefly on my second movie1” Stamp
recalled in an interview with the AP in 2013. “And he said to me, You should
always study your voice.'” Stamp then segued into a spot-on Olivier
impersonation, continuing, “Because, as you get older, your looks go, but your
voice will become empowered.'”
His career took a bit of a hiatus from the late 1960s after
he missed out on the role of James Bond to replace Sean Connery, that included
a years-long stint in India which saw him embrace a more holistic approach to
his self.
It was the unexpected role of General Zod that brought him
back to the limelight. He played John Tunstall in 1988's ‘Young Guns,’ the Galactic
Republic leader in 1999's ‘Star Wars’ prequel ‘The Phantom Menace,’ appeared in
the comedies ‘Yes Man’ and ‘Get Smart’ in 2008.
Born in London's East End on 22 July, 1938, Stamp lived a
colorful life, particularly during the 1960s when he had a string of romances,
including with actress Julie Christie and model Jean Shrimpton. He married
29-year-old Elizabeth O'Rourke in 2002 at the age of 64 but the couple divorced
six years later. Stamp did not have any children.
Stamp retained his looks as the years ticked by, his natural
handsomeness hardened by a more grizzled look. He generally sought to keep his
standards high — to a point.
“I don't do crappy movies, unless I haven't got the rent,”
he said.
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